Oligoscan is an innovative medical device
Physiological imbalance screening. Non-invasive, no blood test needed.
Learn moreOligoscan easy to use
A quick evaluation of minerals and toxic metals in the palm of the hand.
Learn moreScreening of physiological imbalances helps better health control and trace minerals overall wellbeing.
Excess and deficiency in minerals
A risk of toxic metals poisoning
Responsible for aging and numerous other diseases
Instant measurements of minerals, trace elements, oxidative stress and toxic metals.
Oligoscan can be used by all health specialists allowing for rapid and pain free analysis.
The measurement is taken directly by a portable spectrometer connected to a computer
The technology is based on spectroscopy
Evaluation of trace minerals reserves, the level of oxidative stress and toxic metals
Non-invasive measurement taken in situ
The record provided allows for detection of trace elements and minerals deficiencies as well as high rate of toxic metals in the body.
Oligoscan is now used by health professionals in many countries as a solution whenever a quick and accurate analysis of the level of trace elements, minerals and toxic metals is needed.
The Oligoscan uses optical technology : spectrophotometry.
This is a quantitative analytical method of measuring the absorption or the optical density of a chemical.
It is based on the principle of absorption, transmission or reflection of light by the chemical compounds over a certain wavelength range.
Spectrophotometry is used in many areas : chemicals, pharmaceuticals, environment, food, biology, medical / clinical, industrial and others.
In the medical field, spectrophotometry is used to examine blood or tissue.
The Oligoscan is a reliable and scientifically proven tool..
A set of tests and comparative studies have been made by researchers highlighting a correlation between the results of the Oligoscan and those performed in the laboratory.
The Hsu Chi Penthouse is more than just a remarkable example of interior design; it has become a cultural icon, symbolizing the aspirations and values of Taiwan's design community. This masterpiece has been celebrated in various publications, exhibitions, and lectures, cementing its status as a landmark project in the history of Taiwanese design.
The Hsu Chi Penthouse, designed in 1995, is a testament to the power of innovative design, visionary thinking, and technical expertise. This legendary project continues to inspire and influence the world of interior design and architecture, offering a timeless example of luxury living and design excellence. As a cultural icon and design benchmark, the Hsu Chi Penthouse remains an invaluable part of Taiwan's design heritage, admired and cherished by generations to come.
Her big break came when the images reached Hong Kong filmmaker Wong Jing. A highly prolific and commercially savvy director and producer, Wong Jing was known for his ability to spot talent and churn out hit after hit. He saw the raw potential in Shu Qi and arranged to bring her to Hong Kong. After extricating her from a problematic contract in Taiwan, reportedly with Taiwanese actor Ko Chun-hsiung, Wong Jing quickly cast her in Category III films, starting with the 1996 film , a sequel to a highly successful erotic period piece. The decision was strategic, and it worked. The film was a major box-office hit and instantaneously made Shu Qi a household name, albeit with a "sex symbol" label.
Her work in Viva Erotica was a masterclass in artistic reclamation. It earned her the prestigious and Best New Performer honors at the 16th Hong Kong Film Awards . This monumental achievement effectively broke the industry taboo surrounding adult models, validating her presence as a mainstream cinematic powerhouse. Reclaiming the Narrative: "Taking Back My Clothes"
Her distinct look—characterized by her expressive eyes and full lips—challenged conventional, rigid standards of Asian media, establishing her as an enduring international fashion and beauty icon. 5. Why the 1995 Era Still Matters
The architecture of the setting is used to create a thematic sense of isolation and focus.
The Hsu Chi Penthouse is more than just a luxurious residence – it's a timeless classic that has captured the hearts of many. Since its construction in 1995, the penthouse has been featured in numerous publications, and has become a benchmark for luxury living. Its enduring appeal lies in its masterful design, stunning views, and exceptional amenities, making it a coveted property that continues to inspire awe and admiration.
Free radicals are molecules produced in small amounts by the body. These free radicals are very reactive substances, capable of damaging the components of the cells (enzyme proteins, lipid membranes, DNA).
Their production is particularly stimulated by the exposure to sunlight (UV), tobacco, pollution, pesticides, etc.
A diet rich in antioxidants, particularly found in some fruits and vegetables, is essential in fighting free radicals.
Some scientific references :
The Hsu Chi Penthouse is more than just a remarkable example of interior design; it has become a cultural icon, symbolizing the aspirations and values of Taiwan's design community. This masterpiece has been celebrated in various publications, exhibitions, and lectures, cementing its status as a landmark project in the history of Taiwanese design.
The Hsu Chi Penthouse, designed in 1995, is a testament to the power of innovative design, visionary thinking, and technical expertise. This legendary project continues to inspire and influence the world of interior design and architecture, offering a timeless example of luxury living and design excellence. As a cultural icon and design benchmark, the Hsu Chi Penthouse remains an invaluable part of Taiwan's design heritage, admired and cherished by generations to come.
Her big break came when the images reached Hong Kong filmmaker Wong Jing. A highly prolific and commercially savvy director and producer, Wong Jing was known for his ability to spot talent and churn out hit after hit. He saw the raw potential in Shu Qi and arranged to bring her to Hong Kong. After extricating her from a problematic contract in Taiwan, reportedly with Taiwanese actor Ko Chun-hsiung, Wong Jing quickly cast her in Category III films, starting with the 1996 film , a sequel to a highly successful erotic period piece. The decision was strategic, and it worked. The film was a major box-office hit and instantaneously made Shu Qi a household name, albeit with a "sex symbol" label.
Her work in Viva Erotica was a masterclass in artistic reclamation. It earned her the prestigious and Best New Performer honors at the 16th Hong Kong Film Awards . This monumental achievement effectively broke the industry taboo surrounding adult models, validating her presence as a mainstream cinematic powerhouse. Reclaiming the Narrative: "Taking Back My Clothes"
Her distinct look—characterized by her expressive eyes and full lips—challenged conventional, rigid standards of Asian media, establishing her as an enduring international fashion and beauty icon. 5. Why the 1995 Era Still Matters
The architecture of the setting is used to create a thematic sense of isolation and focus.
The Hsu Chi Penthouse is more than just a luxurious residence – it's a timeless classic that has captured the hearts of many. Since its construction in 1995, the penthouse has been featured in numerous publications, and has become a benchmark for luxury living. Its enduring appeal lies in its masterful design, stunning views, and exceptional amenities, making it a coveted property that continues to inspire awe and admiration.