Body Wishes did solid commercial business, particularly in Europe and the UK, buoyed by the enormous success of "Baby Jane." However, it was not as universally lauded as some of his earlier work, with critics noting the inconsistency in songwriting.
Critics at Rolling Stone and AllMusic might have been tough on it, but the fans spoke louder—the album dominated charts in Germany, Sweden, and the UK. It’s a snapshot of a rock legend navigating the most electronic decade in music history. Tracklist for your next listen: Dancin' Alone Body Wishes Sweet Surrender What Am I Gonna Do (I'm So in Love with You) Ghetto Blaster Strangers Again
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Upon its release, Body Wishes received mixed reviews from rock critics who criticized its reliance on drum machines and commercial pop tropes over traditional rock instrumentation. However, the buying public felt differently.
(Stewart, Jay Davis) – The undisputed crown jewel of the record. This track features a unforgettable, soaring synthesizer hook and a driving bassline. Stewart’s raspy vocals deliver a bittersweet story of a love that has run its course. It became a global smash hit. Body Wishes did solid commercial business, particularly in
Rod Stewart ’s twelfth studio album, (1983), is a classic 1980s pop-rock record that leaned heavily into synth-pop and dance-rock trends of the era. While it received mixed-to-poor critical reviews at its release—with Rolling Stone calling it "one of his least"—it was a significant commercial success, especially in Europe where it went gold three times and platinum twice.
(Stewart, Davis, Tony Brock) – The album's second major single. It is an infectious, upbeat pop anthem featuring a call-and-response vocal structure and a highly danceable rhythm. Tracklist for your next listen: Dancin' Alone Body
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