AVOTIGERTOUCH2
AVOLITES
discontinued

Tiger Touch II

ORDER CODE: AVOTIGERTOUCH2

Now boasting a 100% brighter screen, increased processing power, and faster graphics engine, the Tiger Touch II is the most specified Titan console.
The Avolites Tiger Touch II represents the perfect combination of power and portability. This third-generation console is packed with enough power for complex shows, yet small and light enough to fly in standard hold luggage. The console features SMPTE timecode support and a redesigned button layout to match the entire Titan range.
In order to update the console to version 12 of the Titan, it will be necessary to purchase and install a USB dongle called AVOKEY.
Serial 02006 - 03065
You need to order:
- AVOKEYINT 
- 1x5 way to USB-A Cable (spare part code 8000-6102)
Once you've received your AVOKEYINT and 1x5 way to USB-A Cable, you will be required to connect the USB-A Cable to the motherboard. This cable will provide an additional USB port for the AvoKey.
Click here to view the installation guide: https://www.avolites.com/Portals/0/Downloads/Manuals/AvoKey/8000-6102 TT2-2-3K AVOKEY upgrade with 1808-0028.pdf
 
Serial 03066 - 4020

You need to order only AVOKEYINT
Once you've received your AVOKEYINT, you will be required to connect this directly to the available (Blue) USB port inside the console (on the motherboard).
Click here to view the installation guide: https://www.avolites.com/Portals/0/Downloads/Manuals/AvoKey/8000-6101 TT2 AVOKEY no cable.pdf
 
Serial 04021 - 05001
You need to order only AVOKEYINT
Once you've received your AVOKEYINT, you will be required to connect this directly to the available (Red) USB port inside the console (on the motherboard).
 
Serial 5001 and above include a factory fitted AvoKey.
Therefore, you do not need to purchase an AvoKey.

Main features:

  • 10 pageable playbacks, 60 pages.
  • 10 static playbacks - perfect for instant access.
  • 100% brighter 15.6" screen.
  • Three metal shaft optical encoders offering luxurious precision.
  • MIDI support for MIDI Notes and MIDI Timecode.
  • Built in UPS.
  • 4 physical DMX outputs, up to 16 over ArtNet or sACN - 8192 channels.
  • Supports Titan Network Processors for DMX expansion up to 64 universes.
  • Trigger inputs.
  • Dual Ethernet port.
  • Expand your control surface through wings, DMX In or MIDI.
  • Dedicated cue stack control.
  • Support for external touch screen.
  • 10 programmable executor buttons.
  • Conveniently accessible front loading USB.
  • Dimensions (WxHxP): 675x435x147 mm (console only); 750x620x300 mm (console in flight case).
  • Weight: 15.2 kg (console only); 29.40 kg (console in flight case); 31.70 kg (console packed in flight case).

PHOTO GALLERY

Technical specifications

Versions

Accessories & Related Products

AVOKEYINT
AVOKEYINT
(Optional)
AvoKey internal (red)
AVOTT2FC
AVOTT2FC
(Optional)
Avolites TigerTouch II Case

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The trend typically features a stylish, older woman (referred to as Tante ) engaging in humorous, awkward, or lighthearted scripted interactions with local ojek (Ojol) drivers. These videos often lean into:

Putting a sophisticated character in everyday, gritty situations.

: The terminology indicates content tailored for mature adolescents and young adults.

If you are a content creator or researcher looking into digital trends, let me know if you would like me to analyze the , break down the audience demographics for this type of media, or draft a script concept that balances high entertainment value with ethical creator guidelines. Share public link prank tante liadani ngentot driver ojek indo18 new

Motorcycle taxis, or ojek , are a foundational part of daily life and transportation in Indonesia. Whether it is navigating the bustling streets of Jakarta or traversing quiet provincial roads, the ojek driver is an everyday hero.

The Driver Ojek is often the unwitting punching bag. He cannot fight back because he fears losing his rating or being labeled aggressive. The entertainment value is derived from his powerlessness . This raises the question: Is this new lifestyle merely the exploitation of the working class for clicks?

Tante Liadani's prank on the ojek driver is a hilarious example of the power of entertainment to bring people together. With its lighthearted humor and cultural insight, it's no wonder the video has captured the hearts of so many viewers. Whether you're a fan of pranks or just looking for a good laugh, this video is definitely worth checking out. The trend typically features a stylish, older woman

Tante Liadani's latest prank video, which has been shared widely on social media platforms, features her pretending to be a passenger who gets into an ojjek (a type of Indonesian motorcycle taxi) driven by a unsuspecting driver. The prank, which has been viewed millions of times, shows Tante Liadani playfully teasing the driver, causing him to become confused and amused.

Are you analyzing this keyword for ? Share public link

In the era of digital media and instant content creation, pranks have become a staple of entertainment. From YouTube sensations to viral TikTok videos, pranks have evolved into a significant form of modern entertainment. This essay explores the dynamics of pranks within the Indonesian lifestyle, specifically focusing on ojek drivers who have become unwitting participants in this new wave of entertainment. If you are a content creator or researcher

The contrast between the hardworking driver and the "Tante Liadani" character provides instant comedic tension.

She orders an ojek online. When the driver arrives, she pretends to be a secret talent scout.

So, the next time you summon a driver ojek on your app, look at their face. That person could be the next viral star—or the next victim of a prank.

Maaf — saya tidak bisa membantu membuat atau menyiapkan konten yang pornografi, seksual eksplisit, atau yang mengeksploitasi orang nyata secara seksual. Jika Anda ingin, saya bisa membantu dengan salah satu alternatif berikut:

If you have more specific information or a particular piece of content you'd like reviewed, please provide more details for a more targeted response.

Info Request

The trend typically features a stylish, older woman (referred to as Tante ) engaging in humorous, awkward, or lighthearted scripted interactions with local ojek (Ojol) drivers. These videos often lean into:

Putting a sophisticated character in everyday, gritty situations.

: The terminology indicates content tailored for mature adolescents and young adults.

If you are a content creator or researcher looking into digital trends, let me know if you would like me to analyze the , break down the audience demographics for this type of media, or draft a script concept that balances high entertainment value with ethical creator guidelines. Share public link

Motorcycle taxis, or ojek , are a foundational part of daily life and transportation in Indonesia. Whether it is navigating the bustling streets of Jakarta or traversing quiet provincial roads, the ojek driver is an everyday hero.

The Driver Ojek is often the unwitting punching bag. He cannot fight back because he fears losing his rating or being labeled aggressive. The entertainment value is derived from his powerlessness . This raises the question: Is this new lifestyle merely the exploitation of the working class for clicks?

Tante Liadani's prank on the ojek driver is a hilarious example of the power of entertainment to bring people together. With its lighthearted humor and cultural insight, it's no wonder the video has captured the hearts of so many viewers. Whether you're a fan of pranks or just looking for a good laugh, this video is definitely worth checking out.

Tante Liadani's latest prank video, which has been shared widely on social media platforms, features her pretending to be a passenger who gets into an ojjek (a type of Indonesian motorcycle taxi) driven by a unsuspecting driver. The prank, which has been viewed millions of times, shows Tante Liadani playfully teasing the driver, causing him to become confused and amused.

Are you analyzing this keyword for ? Share public link

In the era of digital media and instant content creation, pranks have become a staple of entertainment. From YouTube sensations to viral TikTok videos, pranks have evolved into a significant form of modern entertainment. This essay explores the dynamics of pranks within the Indonesian lifestyle, specifically focusing on ojek drivers who have become unwitting participants in this new wave of entertainment.

The contrast between the hardworking driver and the "Tante Liadani" character provides instant comedic tension.

She orders an ojek online. When the driver arrives, she pretends to be a secret talent scout.

So, the next time you summon a driver ojek on your app, look at their face. That person could be the next viral star—or the next victim of a prank.

Maaf — saya tidak bisa membantu membuat atau menyiapkan konten yang pornografi, seksual eksplisit, atau yang mengeksploitasi orang nyata secara seksual. Jika Anda ingin, saya bisa membantu dengan salah satu alternatif berikut:

If you have more specific information or a particular piece of content you'd like reviewed, please provide more details for a more targeted response.


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