The 2021 independent feature Emmanuella Son , directed by Vince Banderos, offers a compelling case study for exploring contemporary casting dynamics within Philippine cinema. This paper investigates the full casting process of the film, interrogating how casting decisions intersect with themes of gender, class, and regional identity. Drawing on primary sources (interviews with the director, casting director, and principal actors) and secondary literature on Southeast Asian film production, the analysis reveals a deliberate strategy of “authentic hybridity” that blends professional actors with non‑professional locals to foreground the film’s socio‑political commentary. The study concludes that Banderos’s casting methodology not only enhances narrative realism but also challenges prevailing industry hierarchies, suggesting new pathways for inclusive and participatory filmmaking in the region.
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The film’s casting foregrounds women’s labor both on‑screen and off‑screen (e.g., female crew members in the production team). This aligns with Flores (2018) who argues that “visible female labor in production can recalibrate on‑screen gender politics.”
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