The Jazz Harmony Book By David Berkman: Full ((top))

| Part | Section | Focus Area | | :--- | :--- | :--- | | I. The Harmonic Universe of Key | Circles 1-5 | Foundational progressions: I, IV, V7, diatonic substitutes, secondary dominants, passing chords, modal interchange | | | Chapters 8-10 | Minor tune harmony, diminished chords, deep structure & reharmonization | | II. Beyond the Functional Universe | Ch. 11-23 | Non-functional rules, slash chords, quartal harmony, Giant Steps, pedals, color chords, unavailable tensions | | Appendices | A & B | Tips for Composers & Piano Basics |

If you buy this book, commit to one chapter a week. Do the exercises at the piano. Do not skip the "Drills" sections. You will emerge on the other side hearing the Great American Songbook in a completely different light—and more importantly, you will finally be able to play the sounds you hear in your head.

In online forums like JazzGuitar.be and Goodreads, the sentiment is overwhelmingly positive. One user famously rated it , noting that it is their favorite resource by a "very wide margin". Many reviewers highlight that the book is "very applied and grounded in the harmony of the standards," meaning you won't waste time on abstract concepts that don't apply to the Great American Songbook.

David Berkman's "The Jazz Harmony Book" is a comprehensive guide that offers a deep dive into the world of jazz harmony. With its clear explanations, practical examples, and exercises, this book is an indispensable resource for anyone seeking to improve their understanding of jazz harmony. Whether you're a jazz musician, music student, or composer, "The Jazz Harmony Book" is an essential addition to your library.

One of the key strengths of Berkman's pedagogical approach is his emphasis on the aural and practical aspects of harmony. While the book does include some theoretical discussion, Berkman consistently encourages readers to listen to and play the examples, underscoring the importance of developing a harmonic vocabulary through direct experience. The Jazz Harmony Book By David Berkman Full

The ultimate test of understanding harmony is creation. Write short 8-bar tunes utilizing the specific chord substitutions or alterations introduced in each chapter. Conclusion

This is not a "jazz for dummies" book. Berkman writes with a dry, witty, no-nonsense tone. He frequently says things like, "You probably won't be able to play this right away. That's fine. Sit with it for a week."

An advanced system of rapid modulation over major thirds (three-tonic systems). The Accompanying Audio Component

A detailed exploration of the complexities of minor key harmony. | Part | Section | Focus Area | | :--- | :--- | :--- | | I

Throughout the book, Berkman utilizes a few simple, memorable melodies. As you learn new harmonic techniques, you apply them to these exact same melodies. This allows you to directly compare a basic diatonic arrangement with an advanced, modern reharmonization.

While the book uses piano voicings as its primary vehicle (Berkman is a killer pianist), horn players and guitarists benefit immensely. Why? Because Berkman teaches as the law of the land . He isn't interested in chords that jump around. He shows you how to move the minimum distance to create maximum harmonic color. For a sax player, seeing the inner voice movement on a staff helps you choose better "outside" notes. For a guitarist, it slaps you out of the "barre chord" prison.

Endorsed by masters like and Fred Hersch , this book is not just a collection of rules; it is a pedagogical approach to understanding how to voice, reharmonize, and truly play jazz harmony. 1. The Philosophy: Why "The Jazz Harmony Book" is Essential

An introduction to major-third root movements and multi-tonic systems. 11-23 | Non-functional rules, slash chords, quartal harmony,

: Focuses on practical configurations used by professional gigs.

The book is structured around a personal model that categorizes harmonic actions into a nested hierarchy of "concentric circles". This system builds outward from three central functional archetypes: Tonic, Subdominant, and Dominant. The Harmonic Circles Fundamental IVcap I cap V V7cap V to the seventh power chords that establish basic tonality.

As discussed in this YouTube masterclass overview , the book addresses how many modern students rely too heavily on fake books (lead sheets). Berkman aims to move musicians away from static "set-in-stone" chord progressions, encouraging the active re-evaluation of harmony often practiced by masters like Bill Evans, Herbie Hancock, and Hank Jones.

If you are looking for the full Jazz Harmony Book experience, including its groundbreaking approach and practical tools, this guide will walk you through everything you need to know about this essential resource.

The layout of the book is another standout feature. It is designed to be worked through methodically. It functions less like a reference dictionary and more like a private lesson that progresses over a semester.