Run Dmc Jason Nevins Its Like That Raxon E Repack -

Before the remix, there was the source. In 1983, Run-D.M.C.—the game-changing trio from Hollis, Queens—released "It's Like That" as a B-side to "Sucker M.C.'s." Produced by the visionary Larry Smith and Russell Simmons, the track was minimalist fury. Over a stark, electronic beat (using a Roland TR-808 drum machine) and a simple, repeating piano line, Run (Joseph Simmons) and D.M.C. (Darryl McDaniels) delivered a proto-rap sermon about economic disparity, social struggle, and resilience.

You can still hear the original or its many remixes on streaming platforms, on the 'Greatest Hits' compilation, or even in countless karaoke bars around the world.

Enter . A New York-based DJ, producer, and remixer, Nevins was a household name in the late 90s dance music scene. He wasn’t a hip-hop purist; he was a studio wizard who understood the power of the four-on-the-floor kick drum. By 1997, the big-beat and electronica boom (The Prodigy, Chemical Brothers, Fatboy Slim) was in full swing. Labels were hungry for crossovers.

The Evolution of a Classic: Run-DMC vs. Jason Nevins – "It’s Like That" (The Raxon E Repack)

Instead of the 90s organ bass, Raxon E employs a reminiscent of artists like Chris Lake or Fisher, but with a darker, minimal tech edge. It sounds as much at home in a Berlin basement as it does in a Miami pool party. run dmc jason nevins its like that raxon e repack

It often provides cleaner intro and outro loops, making it easier for modern DJs to mix the track into sets that are significantly faster or more rhythmic than the original 1997 tempo.

It sold nearly 5 million copies worldwide and forever linked RUN-D.M.C.’s hip-hop vocals to European electronic dance floors. Enter Raxon: Injecting Underground Techno Energy

Here’s a story blending Run-DMC’s iconic track “It’s Like That” (in its Jason Nevins remix energy) with a fictionalized “Raxon E Repack” — think of it as a lost, high-voltage remix EP from an alternate timeline.

Whether you are a DJ looking for a reliable set-closer or a fan of 90s dance-pop, this repack offers a fresh, high-energy take on an absolute classic. Before the remix, there was the source

The longevity of "It's Like That" across these different iterations proves the timelessness of the original message. Whether it is the raw social commentary of the 80s, the pop-culture peak of the 90s, or the dark club aesthetic of Raxon’s modern edit, the track remains a cultural touchstone. For collectors and DJs, finding the "E Repack" is about securing a tool that works as well in a dark warehouse as it does at a massive festival.

Run‑DMC’s “It’s Like That” is already a cornerstone of hip‑hop history: raw, direct, and built to be heard loud. Jason Nevins’s late‑1990s rework turned that raw energy into a global club anthem, introducing a new generation to the group while transforming the track into a cross‑genre hit. The “Raxon E Repack” — a fan/remix variant that blends elements of electro, big‑beat and club polish — is one more link in this remix lineage: a reinterpretation that highlights how flexible a great song can be.

Before diving into modern re-packs, it is essential to understand the magnitude of the 1997 remix.

Raxon E (often stylized as Raxon or Raxon E) is a rising figure in the tech-house and minimal deep tech scene, known for his gritty basslines, percussive grooves, and clever use of vocal samples. While less mainstream than Jason Nevins, Raxon E has built a reputation on platforms like Beatport and through DJ support from artists like Marco Carola, Loco Dice, and Michael Bibi. His production style focuses on classic vocal tracks with a raw, underground, warehouse-ready feel. A New York-based DJ, producer, and remixer, Nevins

Stream Run DMC vs. Jason Nevins - It's Like That (Raxon Edit) by IDJunkie | Listen online for free on SoundCloud. SoundCloud Run DMC vs. Jason Nevins - It's Like That (Raxon Edit)

By repackaging the track, editors keep the lyrical urgency of Run-D.M.C.—dealing with social commentary and "the way it is"—relevant in an era where the message can easily be lost behind a beat. Cultural Legacy

The Evolution of an Anthem: From Queens to the Global Dancefloor