This is the most popular pack in the lineup. It is designed to match Sony cameras to the iconic ARRI Alexa color profile.
Standard Sony Rec.709 conversions can sometimes lean into a magenta or slightly yellowish-green tint that looks digital or "unhealthy". Phantom LUTs re-align the midtones to mimic ARRI’s celebrated golden, organic skin-tone rendering, keeping skin tones natural across shifting lighting conditions. 3. Film-Like Highlight Roll-Off
Apply your chosen Phantom LUT here at 100% opacity.
For the vast majority of Sony cameras (A7SIII, FX3, FX6, A7IV), the LUT is calibrated for and S-Gamut3.Cine . You should set your Picture Profile to PP8 by default. sony phantom luts
Like any tool, Phantom LUTs have strengths and weaknesses.
While Sony provides free, built-in conversion LUTs (like the standard S-Log3 to Rec.709 conversion), many professionals swap them out for Phantom LUTs. Here is why:
They are an excellent tool for who want their FX3 or A7S III to feel less like a consumer camera and more like a cinema rig. Just remember: a LUT is a seasoning, not the main course. Cook your exposure right, and the LUT will taste much better. This is the most popular pack in the lineup
In the world of cinematography, achieving the perfect look for your footage is a top priority. With the rise of digital filmmaking, the importance of color grading has become increasingly evident. One of the most popular and sought-after tools for color grading is the Sony Phantom LUT (Look Up Table). In this article, we will explore the world of Sony Phantom LUTs, their benefits, and how to use them to elevate your filmmaking game.
, which is widely considered the gold standard for digital skin tones and highlight roll-off. Correcting "Sony Colors"
The primary objective of Phantom LUTs is to emulate the color profile using Sony hardware. Phantom LUTs re-align the midtones to mimic ARRI’s
Sony mirrorless and cinema cameras—ranging from the ubiquitous Sony A7S III and to the high-end FX6 , FX9 , and Burano —are celebrated for their industry-leading dynamic range, class-leading autofocus, and robust codecs. However, for years, filmmakers have debated Sony’s default color science. While highly accurate, native S-Log3 conversions can sometimes produce digital-looking, cold skin tones or harsh highlight roll-offs.
[Flat Sony S-Log Footage] ──> [Phantom LUT Math Mapping] ──> [ARRI Alexa Color Aesthetic] Core Engineering and the ARRI Match